He named them both Antipholus and bought another pair of twins, both named Dromio, to be their servants. Monologues are presented on StageAgent for educational purposes only. A trusty villain, sir, that very oft, It is his shortest and one of his most farcical comedies, with a major part of the humour coming from slapstick and mistaken identity, in addition to puns and word play. The reason that I gather he is mad, Besides this present instance of his rage, A ring he hath of mine worth forty ducats, And for the same he promis'd me a chain: Both one and other he denies me now. I,2,182. A complete database of Shakespeare's … Gradesfixer.com The Comedy of Errors, written by William Shakespeare and first performed by 1594, largely deals with the concept of identity, from the farcical mistaken identities of twins Antipholus and Dromio, to the roles of the women around them.In an exploration of accepted gender norms, readers can easily note that the key women in the play-Adriana, Luciana, and Emilia, draw or have been conditioned … 3. Read the monologue for the role of Luciana from the script for The Comedy of Errors by William Shakespeare. in "Comedy of Errors" Total: 99. print/save view. Aegeon (Act 1, Scene 1) Duke Solinus (Act 1, Scene 1) Balthazar (Act 3, Scene 1) Antipholus (Act 5, Scene 1) The Duke arranged for his marriage to a wealthy lady, Adriana, and he became one of the richest and best-known merchants in Ephesus, known for his honor and good credit. OPTIONS: Show cue speeches • Show full speeches # Act, Scene, Line (Click to see in context) Speech text: 1. Enter DUKE SOLINUS, AEGEON, Gaoler, Officers, and other Attendants AEGEON Proceed, Solinus, to procure my fall And by the doom of death end woes and all. Aegeon and his wife were travelling home with their sons and the servants when they were shipwrecked in a violent storm. What answer, sir? This woman lock'd me out this day from … In Syracusa was I … OPTIONS: Show cue speeches • Show full speeches # Act, Scene, Line (Click to see in context) Speech text: 1. Enter DUKE SOLINUS, AEGEON, Gaoler, Officers, and other Attendants AEGEON Proceed, Solinus, to procure my fall And by the doom of death end woes and all. A hall in DUKE SOLINUS'S palace. The Comedy of Errors is, along with The Tempest, one of only two Shakespearean plays to observe the Aristotelian principle of unity of time—that is, that the events of a … … OPTIONS: Show cue speeches • Show full speeches # Act, Scene, Line (Click to see in context) Speech text: 1. DUKE SOLINUS The Comedy of Errors is one of William Shakespeare's early plays. The monologues are organized by play, then categorized by comedy, history and tragedy. Luciana says: And may it be that you have quite forgot A husband's office? The Comedy of Errors, written by William Shakespeare and first performed by 1594, largely deals with the concept of identity, from the farcical mistaken identities of twins Antipholus and Dromio, to the roles of the women around them. The Comedy of Errors. Privacy Policy • Theatre Links. I,2,171. The Comedy of Errors Summary. in "Comedy of Errors" Total: 103. print/save view. All rights reserved. Go bear it to the Centaur, where we host, And stay there, Dromio, till I come to thee.... 2. when spake I such a word? The Comedy of Errors Act V, sc. The Comedy of Errors Act I, sc. All Rights Reserved. After both being separated from their twins in a shipwreck, Antipholus and his slave Dromio go to Ephesus to find them. The Comedy of Errors, Shakespeare's tale of mistaken identities, as adapted in 1976 into a modern musical form for the RSC, by Trevor Nunn. II,2,406. The Comedy of Errors Shakespeare homepage | Comedy of Errors | Act 1, Scene 1 Next scene. The other set of twins lives in Ephesus, and the new arrivals cause a series of incidents of mistaken identity. 1 ANTIPHOLUS OF EPHESUS: My liege, I am advised what I say: Neither disturb'd with the effect of wine, Nor heady-rash, provok'd with raging ire, Albeit my wrongs might make one wiser mad. A side-by-side No Fear translation of The Comedy of Errors Act 3 Scene 2 Comedy of Errors is one of Shakespeare’s earliest plays, perhaps the first. A hall in DUKE SOLINUS'S palace. Making it easier to find monologues since 1997. print/save view : Previous scene: Play menu Act V, Scene 1. Making it easier to find monologues since 1997. “The play begins with Aegeon telling his story. Actually understand The Comedy of Errors Act 3, Scene 2. This is a wonderfully comedic monologue. THE COMEDY OF ERRORS ADRIANA: Ay, ay, Antipholus, look strange and frown. SCENE I. Monologues are presented on StageAgent for educational purposes only. Comic Monologues for Men • Comic Monologues for Women • Dramatic Monologues for Men • Dramatic Monologues for Women Classical Monologues for Men • Classical Monologues for Women • Monologues for Seniors • Monologues for ChildrenCopyright © 2005 - 2020 Monologue Archive. This site uses cookies to improve your experience: Contemporary Monologues from Published Plays. A street before a Priory. [Enter Second Merchant and ANGELO] Angelo. All's Well That Ends Well Antony & Cleopatra As You Like It Comedy of Errors Coriolanus Cymbeline Double Falsehood Edward 3 Hamlet Henry 4.1 Henry 4.2 Henry 5 Henry 6.1 Henry 6.2 Henry 6.3 Henry 8 Julius Caesar King John King Lear King Richard 2 Love's Labour's Lost Macbeth Measure for Measure Merchant of Venice Merry Wives of Windsor Midsummer Night's Dream Much Ado About Nothing … Antipholus of Ephesus was brought up in Corinth, never knowing his father, and brought to Ephesus by Duke Menaphon of Corinth.. Duke Solinus of Ephesus, Menaphon’s nephew, became his patron, and he served worthily in his wars. Adriana (Act 2, Scene 2) Luciana (Act 3, Scene 2) Courtesan (Act 4, Scene 3) Adriana (Act 5, Scene 1) Abbess (Act 5, Scene 1) Men. Read the monologue for the role of Courtesan from the script for The Comedy of Errors by William Shakespeare. The Comedy of Errors Act IV, sc. 1 AEGEON: A heavier task could not have been impos'd Than I to speak my griefs unspeakable; Yet, that the world may witness that my end Was wrought by nature, not by vile offence, I'll utter what my sorrow gives me leave. You can browse and/or search so you can find a monologue whether you know which one you want, or you're looking for monologue ideas. Some other mistress hath thy sweet aspects; I am not Adriana, nor thy wife. Women. Character monologues from Shakespeare’s play The Comedy of Errors. The Comedy of Errors Shakespeare homepage | Comedy of Errors | Entire play ACT I SCENE I. Many a man would take you at your word, And go indeed, having so good a mean. Thirty-three years before the play begins Aegeon, a merchant of Syracuse, became the father of twin boys. A complete database of Shakespeare's Monologues. 2. Read every line of Shakespeare’s original text alongside a modern English translation. William Shakespeare The Comedy of Errors Act 1 sc.1 ll.31-95 All monologues are property and copyright of their owners. It’s simple language when compared to that of King Lear or Hamlet is perfect for someone wanting to try their hand with a Shakespeare monologue but isn’t ready yet for “To be or not to be”. ADRIANA: Ay, ay, Antipholus, look strange and frown.Some other mistress hath thy sweet aspects;I am not Adriana, nor thy wife.The time was once when thou unurged wouldst vowThat never words were music to thine ear,That never object pleasing in thine eye,That never touch well welcome to thy hand,That never meat sweet-savored in thy taste,Unless I spake, or looked, or touched, or carved to thee.How comes it now, my husband, O, how comes it,That thou art then estrangèd from thyself?Thyself I call it, being strange to me,That, undividable, incorporate,Am better than thy dear self's better part.Ah, do not tear away thyself from me!For know, my love, as easy mayst thou fallA drop of water in the breaking gulf,And take unmingled thence that drop againWithout addition of diminishing,As take from me thyself and not me too.How dearly would it touch thee to the quick,Shouldst thou but hear I were licentious,And that this body, consecrate to thee,By ruffian lust should be contaminate!Wouldst thou not spit at me, and spurn at me,And hurl the name of husband in my face,And tear the stained skin off my harlot-brow,And from my false hand cut the wedding-ring,And break it with a deep-divorcing vow?I know thou canst, and therefore see thou do it.I am possessed with an adulterate blot;My blood is mingled with the crime of lust.For if we two be one, and thou play false,I do digest the poison of thy flesh,Being strumpeted by thy contagion.Keep then fair league and truce with thy true bed;I live disdained, thou undishonorèd. 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