○   Boggle. But the song’s center is Palmer’s voice; it’s a revelation, the way he brings life to lyrics like “A horn section you resemble/And your figure makes me tremble/And I sure would like to handle what’s between your ears.”. Okay, so I exaggerate. Verse 1: B7 E7 D7 B7 Sneaking Sally through the alley, tryin' to keep her outta sight. Type song title, artist or lyrics Scientists don’t know why, but xylophones are the hay fever of musical instruments. Sneakin' Sally Through the Alley This song is by Robert Palmer and appears… on the album Sneakin' Sally Through The Alley (1974) on the live album Maybe It's Live (1982) on the Compilation album Addictions, Vol. Multiple reviewers have commented that Robert sings confidently on this album despite being backed by more accomplished–at the time–musicians such as Lowell George, Art Neville and New Orleans singer-songwriter Allen Toussaint. Sneakin' sally through the alley Sneakin' sally through the alley Trying to get away clean Sneakin' sally through the alley When up pops the queen Trying to double talk, get myself in trouble talk, catching myself in lies Catching myself in lies Mama just looked at … For those of you who don’t know, there’s a million miles of difference between Palmer’s mid-1970s work and the swill—by which I mean the likes of “Addicted to Love,” “Simply Irresistible,” and “Can We Still Be Friends,” the Todd Rundgren tune that never fails to make me vomit from the ears—that constitutes his chief legacy to pop culture. 1998-04-02: Uniondale, NY: 12:39-> in from "Wolfman's Brother." And while it’s perfectly possible to make a stinko LP even with such talent on hand, such was not the case with Sneakin’ Sally Through the Alley. It’s extremely rare, especially seeing as how I just made it up. ○   Lettris It’s easy, affordable, and cost-effective to be seen at The Vinyl District. By using our services, you agree to our use of cookies. Contact Us The SensagentBox are offered by sensAgent. He pays homage to Little Feat and Lowell George with this recording. But the early Palmer, ah—that’s a different story. It was his first effort after three album releases co-fronting the band Vinegar Joe. (sneaking sally through the alley, oo, oo, oo) Sneaking sally through the alley, Tryin' to keep her from sight. It made mine drop, anyway, but I suffer from a rare condition know as Shark Jaw, which basically means my jaw isn’t attached to my cranium. before him, Palmer made hay (and a gigantic payday) by embracing a parody of sexuality, and it’s possible that’s precisely what he was looking to achieve, although I doubt it. Sneakin' Sally Through the Alley is Robert Palmer's debut solo album, released in 1974. Rated #511 in the best albums of 1974. This is really decent music, and NOT the "Addicted To Love" type material that Robert became famous for many years later. Released in September 1974 on Island (catalog no. I know, I wish I didn’t either!) Palmer plays soul man on Toussaint’s “From a Whisper to a Scream,” a slow but building R&B number that opens with an echoing wah guitar by The Meters’ Nocentelli and slowly builds while Palmer sings until in comes what sounds like the organ playing of Steve Winwood. Privacy policy Little Feat’s Lowell George, Steve Winwood, and The Meters (Art Neville on keyboards, Leo Nocentelli on guitar, George Porter, Jr. on bass, and Joseph Modeliste on drums) all play on the LP, while the great Allen Toussaint contributes two excellent songs, one of them the magnificent title cut. Correction: Robert Palmer - Sneaking Sally Through The Alley (chords) Comment. Get XML access to fix the meaning of your metadata. The wordgames anagrams, crossword, Lettris and Boggle are provided by Memodata. Listen to the segue of Sailin' Shoes/ Hey Julia/ Sneakin' Sally through the Alley and if you are familiar with Little Feat at all, you will see just what I mean. Making its return on the biggest of stages, “Sneakin’ Sally” triumphantly opened the 12/30/97 gig at Madison Square Garden after a 921-show absence. Featured peformers: Robert Palmer (vocals), Steve Smith (producer), Phill Brown (engineer), Ken Laxton (engineer), Alan Varner (engineer), Rhett Davies (engineer). That’s right, he plays it smooth. To make squares disappear and save space for other squares you have to assemble English words (left, right, up, down) from the falling squares. I fell in love with it immediately, despite having a head that felt like one of those cartoon anarchist bombs that look like a bowling ball with a sizzling wick coming out of it. But according to multiple sources the song’s keyboards are all played by Neville, while Winwood plays on the following track, “Through It All There’s You.” Anyway, no matter how you slice it, The Meters sets up one great atmospheric and snaky groove, with Nocentelli throwing great riffs your ears’ way while Porter works miracles on bass. ○   Wildcard, crossword Tips: browse the semantic fields (see From ideas to words) in two languages to learn more. Palmer’s solo career followed a stint with Vinegar Joe, the feckless English R&B band that released three forgettable (and I’m talking so forgettable I never even knew they existed) LPs for Island Records. Needless to say, things go downhill from there, and what can I say? Nor is there any denying that Purdie’s drums are excellent, ditto Edwards’ bass and the horns. ○   Anagrams Palmer obviously had friends in high places, or made a pact with the Devil, because Sneakin’ Sally Through the Alley, his 1974 debut, is chock-a-block with big talents. Get XML access to reach the best products. neakin sally through the alley Sneakin sally through the alley Sneakin sally through the alley Trying to keep her out of sight Sneakin sally through the alley When up pops the wife I said, ah I cant find nothing wrong with being friends cos sometimes She lets me use the … Me, I’d have preferred a couple of songs (too bad Palmer didn’t get around to recording “Man Smart, Woman Smarter” and Little Feat’s “Spanish Moon” until 1976’s Some People Can Do What They Like) in its place. Every year people would spend the day getting wonderfully wasted, and every year a tiny minority would disappear into the woods abutting the field for “a brief nap,” only to wake up the next morning marooned, like Robert Crusoe with a killer hangover. In from BEK ->, the second "Sneakin' Sally" of this fan favorite show functions as a funky reprisal of the major bust-out that opened the evening's festivities.  | Last modifications, Copyright © 2012 sensagent Corporation: Online Encyclopedia, Thesaurus, Dictionary definitions and more. The Vinyl District – Black Friday Vinyl Sweepstakes Rules, The Vinyl District Record Store Locator App Privacy Policy, TVD Live: The Forecastle Festival, 7/18–7/20. And if that opening guitar riff has Lowell George—who wrote the song—written all over it, it’s because that is George. It was his first effort after three album releases co-fronting the band Vinegar Joe. Recorded in New Orleans, New York, and Nassau, Sneakin’ Sally Through the Alley is a quintessentially American album, even though Palmer was a sharp-dressed Englishman. You’d think the guy would have learned his lesson sneaking Sally through the alley.  |  Letters must be adjacent and longer words score better. Editors’ Notes Robert Palmer’s first solo album marks the intersection of several extraordinary musical forces. Get Full Access! 2. Then again, I’m the guy who predicted a long and fruitful career for Mouth and MacNeal. Give contextual explanation and translation from your sites ! All rights reserved. Palmer utilizes an entirely different band—the LP was recorded in three different locations, and Palmer chose to utilize the local talent in each case—on the slow and very funky “Get Outside.” The rhythm section of Gordon Edwards (bass) and Bernard Purdie (drums) will make your jaw drop. Of course, the minute I say Palmer never plays it smooth on his early LPs what does he do? As for the mammoth (12 and ½ minutes!) I’d go back in time in that pod Gary Wright’s looking all blessed-out in on the cover of The Dream Weaver LP and do some song shuffling, but I know Gary and he likes lending out his astral time travel pod even less than he does his riding mower. With a SensagentBox, visitors to your site can access reliable information on over 5 million pages provided by Sensagent.com. I pulled this stunt one year—and figured I’d spend the remainder of my life out there all by my lonesome, living on squirrel meat and wearing bark clothing—when lo and behold another guy staggered out of the woods. *from 'Sneakin' Sally through the Alley' (1974)* *CAPO 2nd FRET* (Original Key: B) Intro: B7, E7 D7 B7 (x2) Chorus 1: B7 E7 D7 B7 Sneaking s Sally through the alley, ooh, ooh, ooh. A windows (pop-into) of information (full-content of Sensagent) triggered by double-clicking any word on your webpage. He groans, hisses, and digs down deep into his soul for that sound it’s impossible to emulate. Each square carries a letter. See if you can get into the grid Hall of Fame ! B7 E7 D7 B7 Sneaking s Sally through the alley, ooh, ooh, ooh. I first heard Robert Palmer’s Sneakin’ Sally Through the Alley the morning after my beloved alma mater, Shippensburg University, held its annual “Spring Fling” in a field in the middle of nowhere. Boggle gives you 3 minutes to find as many words (3 letters or more) as you can in a grid of 16 letters. Ro, Cookies help us deliver our services. Before becoming a slick, sharp-dressed pop star in the 1980s, Robert Palmer was a soul singer deeply rooted in R&B and funk. And not only did he have a car, he had Sneakin’ Sally Through the Alley playing on 8-track. Nothing wrong with that—I fully intend to be a pop star myself one of these days—but his music slowly became every bit as cold, antiseptic, and robotic as the female clones or sexy cyborgs or whatever you choose to call those swaying and pouty “guitarists” who made the “Addicted to Love” and “Simply Irresistible” videos such big hits. This is really decent music, and NOT the "Addicted To Love" type material that Robert became famous for many years later. “Hey Julia” in turn segues straight into the Toussaint-penned title cut, which is without a doubt the greatest song ever written. Genres: Funk Rock, Pop Rock. Plus 11,000 More Guitar Lessons. Meanwhile The Meters—with Simon Phillips filling in for Modeliste on drums—establish a slinky yet powerful groove (Porter’s bass is particularly ear catching) over which Palmer delivers a bravura performance on vocals. True, Palmer goes completely hoarse at the end, and (wonderfully) not a single soul in that studio insisted he re-record it “correctly.” And the song’s lyrics—which I suspect were written by George—are great, opening with the lines, “Well, you told me that you weren’t infectious/So I brought no precautions with me/And you said your old man was in Texas/And anyway he’d forgotten his key.”. But then that Disco Dead refrain returns, to the accompaniment of Palmer’s muttering, and everything slowly begins to wind down before starting up again, the band and Palmer—who outdoes himself at moments here, growling and repeating himself and generally upping the funk—giving it one final great go. But my favorite parts of the tune are Richard Tee’s piano and—you guessed it—Palmer’s vocals, which are gritty when called for, and this tune definitely calls for some true grit. referencing Sneakin' Sally Through The Alley, LP, Album, Pin, ILPS 9294. Palmer is backed by The Meters and Lowell George of Little Feat. ILPS 9294; Vinyl LP). If so, he failed to account for the fact that by producing parodies, he became one himself. Sneakin' Sally Through the Alley is Robert Palmer's debut solo album, released in 1974. All songs by Robert Palmer except where noted. The title song "Sneakin' Sally Through The Alley" is occasionally covered by the jam band Phish. I said, "i can't find nothing wrong with being friends, 'Cause sometimes she lets me use her car." There was a time back in the mid 80's that the radio was always playing the trilogy of the first three cuts. Tracks 4, 5, & 8 is the New York rhythm section, All translations of sneakin sally through the alley. The Vinyl District, your daily brick and mortar, indie record store fix. English thesaurus is mainly derived from The Integral Dictionary (TID). “Addicted to Love” leaves me cold because it is cold—and deliberately so—as cold as the Arctic, or a corpse. Sneakin' sally through the alley Sneakin' sally through the alley Trying to get away clean Sneakin' sally through the alley When up pops the queen Trying to double talk, get myself in trouble talk, catching myself in lies Catching myself in lies Mama just looked at … I’m talking spitting image Traffic shit here people. Company Information Sneakin' Sally Through the Alley, an Album by Robert Palmer. The English word games are: Sneaking sally through the alley, My baby caught me last night. The web service Alexandria is granted from Memodata for the Ebay search. Those influences are on full display on his debut album Sneakin' Sally Through the Alley. But the rhythm section does kick keister, while Lowell George’s guitar—it’s the “George Effect,” yet again—gives “Get Outside” that Little Feat flavor.  |  2:40 PREVIEW Let's Go Baby. Change the target language to find translations. Image:Robert Palmer Sneakin Sally.jpg is being used on this article. Sneakin' Sally Through the Alley. ), Lowell George - guitar on 1, 3, 4, 6, & 7. In my mind I can still see that badge in the middle of the vinyl LP. He had impeccable taste in studio musicians, could write a good song, and most importantly, he knew a great cover when he heard one. “From a whisper in the wind,” he sings, “To a loud scream the message came/That I’d lost you to another man.” And later, he tosses off the great line, “I took kindness for granted/As if it came with the wallpaper.” That’s what’s called poetry, folks. He occasionally spits his words out in a mad rush, and nails the hazards of surreptitious romance with the speed jive, “Trying to double talk/Get myself in trouble talk/Catching myself in lies.” And Steve York’s harmonica solo is nothing to sneeze at either, although nobody ever sneezes at harmonica solos, just xylophones solos. English Encyclopedia is licensed by Wikipedia (GNU). Lyrics for Sneakin' Sally Through The Alley by Robert Palmer. A perky and upbeat song about drinking life to the dregs, it opens on a wacky note, then Art Neville plays a very funky piano riff that sounds like it came straight off a Little Feat record. And it doesn’t get much smoother than on the Palmer/George tune “Blackmail,” a fast-paced number that opens with some funky horns (for that Stax feel, natch). As for Palmer, who gets a lot of help from his female back-up singers, sings, “You make me feel like I don’t need another/Come on baby let’s pull back the covers/And do our best to help one another/Find out how much fun we can get into life.” Sounds like a plan. About “Sneakin’ Sally Through The Alley” The title song from Robert Palmer’s debut album is a funky, bass-driven cover of an Allen Toussaint composition. The first three songs "Sailing shoes," "Hey Julia" and "Sneakin' Sally Through the Alley" (which are kind of all joined together) are worth the price alone. Find out more, an offensive content(racist, pornographic, injurious, etc. Sneakin' Sally through the alley Trying to keep her out of sight Sneakin' Sally through the alley When up pops the wife I said, "I can't find nothing wrong with being friends 'Coz sometimes she lets me use the car" She said,"If you can't find nothing wrong with your mind … Add new content to your site from Sensagent by XML. Choose the design that fits your site. Meanwhile the rest of The Meters funk things up, and George plays his guitar, although I don’t hear it. 2 (1992) on the compilation Sounds of the Seventies: FM Rock, Vol. Preview Add correction. Which is partly why songs like “Addicted to Love” annoy me so; they’re all surface and gloss, as if he’d turned in his musician’s union card in favor of imitating an oil slick. And the song gets downright funky at around the six-minute mark, with somebody (not Palmer) letting out the occasional cry while the band knocks everything up a notch. Most English definitions are provided by WordNet . But what’s a guy to do? (See album cover.) Trying to double talk, get myself in trouble talk, catching myself in lies Catching myself in lies Mama just looked at me as if I was, ah, crazy And didn't even bat an eye Phish, "Sneakin' Sally Through The Alley" – 10/31/98, Las Vegas, NV “Sneakin’ Sally” was played frequently through the late 80s, then after 5/28/89 it was dropped for over a decade. But it is one of the funkier tunes you’ll ever hear, and moves at a tempo that lets you know that Palmer and his fugitive inamorata aren’t so much sneaking through that alley as a making a mad dash. Both his phrasing and timing are impeccable, and his delivery is wild, man. Palmer is backed by The Meters and Lowell George of Little Feat. [1][2]. Like “Sailin Shoes,” this one has more than a whiff of Little Feat to it, which is likely due to Lowell George’s slide guitar playing, as well as his general influence—let George get his foot in the door, and what you generally ended up with was a Lowell George song, whether he write it or not. As for Palmer’s “How Much Fun,” all I can say is lots, at least in this tune. The album opens on a high note with Palmer’s excellent cover of Little Feat’s “Sailin’ Shoes.” At the risk of angering Little Feat’s gigantic on-line fan base, which tore me a new asshole the last time I dared write a review of a Little Feat LP, I actually prefer Palmer’s version to Little Feat’s, because while the latter is pure blues genius, Palmer and The Meters opt (big surprise) to funk the thing up, and quicken the tempo some while they’re at it. The album was released on compact disc in 1990. One of those great Island Record releases. But I am right about this; as Palmer’s career progressed, he slowly regressed, from being a great bona fide funk, soul, and R&B singer with a great voice to a pop star. I first heard Robert Palmer’s Sneakin’ Sally Through the Alley the morning after my beloved alma mater, Shippensburg University, held its annual “Spring Fling” in a field in the middle of nowhere. Lettris is a curious tetris-clone game where all the bricks have the same square shape but different content. It is my expert critic’s opinion that Sneakin’ Sally Through the Alley is the best of Palmer’s LPs, better even than its chief competitor, Some People Can Do What They Like. Meanwhile Palmer takes punches at himself for fucking up a relationship. The rhythm section is tighter than a Vulcan Death Grip, there are lots of cool female back-up singers, and Palmer doesn’t sound the least bit English, but more like he grew up next door to George, the two of them soaking up classic blues, funk, and R&B in George’s bedroom while his mom screamed up the stairs, “Turn that jukebox down!”, “Sailin’ Shoes” segues into the Palmer-penned “Hey Julia,” a syncopated and mid-tempo number that opens with a throbbing bass, handclaps, and some very cool percussion by Jody Linscott. Sneakin' sally through the alley Trying to get away clean Sneakin' sally through the alley Oh, when up pops the queen. The first three songs "Sailing shoes," "Hey Julia" and "Sneakin' Sally Through the Alley" (which are kind of all joined together) are worth the price alone. Users who reposted Robert Palmer - Sneakin' Sally Through The Alley (RocknRolla Soundsystem Edit) Playlists containing Robert Palmer - Sneakin' Sally Through The Alley (RocknRolla Soundsystem Edit) More tracks like Robert Palmer - Sneakin' Sally Through The Alley … With a backing band including members of Little Feat and the Meters, the music has a laid-back groove whether Palmer's covering New Orleans legend Allen Toussaint (the title track) or singing originals ("Hey Julia," " … Which is not to deny that the tune’s propulsive groove will get you sooner or later, it having 12 minutes plus to do its dirty work. Sneakin" Sally Through The Alley is Robert Palmer's first album--at least his first album to be a commercial success. Like Rod Stewart (remember “Hot Legs”? 1974 Preview SONG TIME Barefootin' 1. Which is why I intend to stick with the Palmer making his furtive way with Sally through the alley; he’s horny, afraid, and very, very much alive. closer “Through It All There’s You,” its opening is a bit too Disco Dead for my comfort, what with its organ, drums, bass, and very Jerry gee-tar riff conspiring to make this tune a song very much of its time, and its time, as anyone who was around then knows, sucked. You can also try the grid of 16 letters. Jumps right into a jammed-out show-closing > Frankenstein. I notice the image page specifies that the image is being used under fair use but there is no explanation or rationale as to why its use in this Wikipedia article constitutes fair use. And don’t even get me started on his stint with a few Duran Duraners in The Power Station. Now you never hear anything on the dial from this record.....also the last two tracks on this album which never got any airplay are great!
Night At Brellin Farm, Tiger Salamander For Sale Near Me, Need For Automation In Manufacturing, Afterpay Computer Stores, Chicken And Chorizo Risotto, Jamie Oliver, Durkheim's Research Suggested That,